The Dreamie is refreshingly compact, too. It takes up significantly less real estate on my nightstand than the Philips Wake-Up Light I've been using forever, or something like a Hatch Restore. The smaller footprint is something I appreciate as a person always battling cluttered surfaces. That also makes it better for travel. Since podcasts and sleep insights aren't available yet, I haven't been able to test those out, but they're non-critical features for me. The company has shared an estimated timeline of Q1-Q2 for these features to arrive, with podcasts likely coming first. They'll be nice to have, podcasts especially, but the Dreamie is more than able to do its main job of creating an environment that supports better sleep without those things.
Part of the beauty of this film is where Jarmusch leaves each story. He's rarely been one for buttoned-up conclusions. And here, he essentially offers not even a day, but a few hours in the lives of people bound by blood, and — what else? We get a window into their lives, and a glimpse of how they see each other. Then, their story moves on without us. Where will they go? What will they experience? It's a mystery the movie won't dwell on, but we can.
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